On Easter weekend in 1936, three men went down into an old rundown gold mine at Moose River in a remote area of Nova Scotia. While below, they became trapped by a massive cave-in at the 141-foot level. One man was a pediatrician, the second a young lawyer, and the third the mining company timekeeper. They had entered the mine to assess its potential for possible sale to an unnamed United States interest.
With the heroic efforts of more than 150 men and women volunteers, including local miners, hard rock miners from Ontario, draegermen from Pictou County, and a tenacious young diamond drill operator from Pictou County, two of the men were recovered alive. The third man died underground on the eighth day of their entombment.
Halifax broadcaster J. Frank Willis made history with his live reports from the mine head that were broadcast on more than 700 radio stations around the world, including the major U.S. networks and the BBC. It marked the beginning of a new era in broadcasting and in journalism. Until then, radio was known chiefly as a music and entertainment medium; news gathering and reporting had been the bailiwick of newspapers and newswire services.
Little did Willis know when he filed his first report from the site that he was making broadcast history by pioneering live on-the-spot reporting. It would change the face of broadcasting forever. Rescue at Moose River is the story of how these two events, one tragic, one historic, came together in the backwoods of Nova Scotia more than 80 years ago.
“I brushed the crumbs off of the fish and back onto the counter, threw the smelts in the frying pan while I got the eggs out of the fridge and cracked one.”
The Smeltdog Man is the story of how a Cape Bretoner marshalled his accidental invention, a marijuana-induced, munchie-inspired Smeltdog, into the most successful fast food franchise in Canada. As president of his newly formed Good Karma Corporation, he tells the tale of how his business empire grows beyond his control, turning him into a billionaire.
While the business booms and the narrator’s wisdom is being constantly tapped for new ideas and strategies, he consults his Granddaddy Blue, whose pragmatic mixture of horse-trader economics and 1960s hippie ideals provide his grandson with the guiding principles and necessary scams he needs to survive in the corporate world.
From the simplicity of its origins to the ecological disaster of its success, The Smeltdog Man details the influences of country music on our narrator’s understanding of himself, the longing of unrequited love and the accumulation of wealth possessing more zeros than our hero can count.
Annabel’s coffee adventures took her from a wet, dreary market in northern England to the Canadian Prairies via a PhD in Central America. She gradually mastered the art of juggling a start-up business, her thesis, and a five-month-old baby at the same time, and negotiated emigration bureaucracy, a few disastrous business relationships, and the brutality of Canadian winters. This is the real story of coffee entrepreneurship, with all the grim, impossible, frustrating, and messy bits left in. Because they all seemed like a good idea at the time.
Threads in the Acadian Fabric tells the story of the author’s paternal family, her line of ancestors that stretches back nine generations to the first Poirier who arrived from France and settled in Port Royal in the 1640s.
For a decade, Linda Clarke and Dr. Michael Cusimano had offices across from one another at St. Michael’s Hospital in Toronto. She worked in Clinical Ethics and he was a staff neurosurgeon. They knew one another to say hello, to nod as they passed one another on the stairs, to wish each other a Merry Christmas. Michael’s patients sat in the chairs along that shared hallway, waiting for their appointment with him. For ten years, Linda heard their talk outside her door, smiled at them as she passed by, tried to give them their privacy. She was always impressed by the things people endured.
Ten years into her work, Linda got sick; she left her job and, weeks later, she sat in one of those hallway chairs, waiting for her appointment with Dr. Cusimano. In the blink of an eye, she was a neurosurgery patient and he was her surgeon.
Linda and Michael wrote In Two Voices together: it is the intimate account of Linda’s surgery with Michael as her surgeon. The story builds a piece at a time as Linda and Michael tell each other their experience and then respond to one another’s writing. As the relationship shifts from one of patient and surgeon to one of Linda and Michael as colleagues and friends, they encounter surprises as their trust and mutual understanding develop. Here is an unprecedented view into the experiences of illness, care, and compassion, an intimate picture of the experiences, challenges, skills, and commitment of a surgeon. The worlds of both surgeon and patient are framed by a most critical and delicate surgical procedure.
The Peddlers is the story of the leading roles some Nova Scotians played in the North American door-to-door sales profession in the late nineteenth and early twentieth centuries. It starts with the life of Nova Scotia-born Alfred C. Fuller, the Fuller Brush Man, whose humble upbringing in the Annapolis Valley laid the foundation for what became one of the biggest businesses of its type in the world.
It also follows the career of Yarmouth County’s Frank Stanley Beveridge, who co-founded the highly successful Stanley Home Products company. From the tough times of the 1920s and 1930s, the story showcases the Lebanese immigrant backpack peddler Herman Rofihe who established a quality men’s wear store that served three generations.
The Peddlers takes you on a door-to-door tour of the origins of household brands like Minard’s and Sloan’s Liniment, JR Watkins and Rawleigh Products, Fraser’s Liniment, Gates Little Gem Pills, Buckley Cough Syrups, Muskol, and other medicinal enterprises founded by peddlers, many of them Nova Scotians. It also chronicles a century-old Hants County murder case involving two young peddlers — one the victim, the other the perpetrator.
Filled with these fascinating stories of Nova Scotia’s history in the door-to-door trade, The Peddlers is a tribute to the men and women of a bygone era in merchandising, the likes of which will never be seen again.
Memoir opens doors we could never ordinarily walk through—into the lives of Olympians, queens, victims of war and other tragedies, teenage rock stars, former streetwalkers or geishas—along with the doors to the lives of extraordinary/ordinary people. The best memoirs are maps of the heart and mind, and Marjorie Simmins invites you to explore the map of your own life. Here are the probing questions and dynamic writing ideas, coupled with inspirational interviews with best-selling memoirists, to light your own imagination afire. How do you access the details of your earliest memories, make them immediate and dramatic? How do you drive the story forward? How do you make a stranger care about your life?
Memoir: Conversations and Craft is intended for any reader or writer who is fascinated by the renegade memoir form—personal life stories that demand to be read, refuse to be forgotten. Whether you wish to compile memories from childhood to share with grandchildren, or whether you burn with the makings of a literary memoir, this reflection on writing can galvanize you.
Donna Morrissey, Linden MacIntyre, Plum Johnson, Lawrence Hill, Edmund Metatawabin, Diane Schoemperlen, and Claire Mowat—some of Canada’s top fiction and non-fiction writers—speak with candour, humour, and compassion about their journeys to memoir. Often touching, always helpful and frank, the interviews cover a broad spectrum of the writing experience. The time to write a memoir is always now—and the benefits are transformative.
While Crossing the Field is Deborah Banks’s debut book of poetry. Her poems take us out onto the land where experiences in the natural world are filtered through the internal landscape of longing, presence, gratitude, and attentiveness. From the lowly spider to the vast expanse of the Atlantic below her house, the poet invites us to consider who we are when everything in our bustling world is removed and we are left with the greatest expanse of all: the Now and how it can inform our every breath.
“It is a good tale, well told, which opens the door to the wanderings of the imagination.” —The Globe and Mail
The history of Nova Scotia is an amazing story of a land and a people shaped by the waves, the tides, the wind, and the wonder of the North Atlantic. Choyce weaves the legacy of this unique coastal province, piecing together the stories written in the rocks, the wrecks, and the record books of human glory and error. In this newly revised sweeping true-life adventure, he provides a thoughtful down-to-earth journey through history that is both refreshing and revealing.
Here, well into the twenty-first century, he looks back at the full story of Nova Scotia from the geological history to the civilization of the Mi’kmaq, the arrival of the Europeans, and beyond to the stormy history of English and French. Choyce takes a critical look at the wars that helped shape the province, the scoundrels and the heroes who lived here down through the centuries, and the seas and storms that swept through the land of the Bluenosers. The original edition of Nova Scotia: Shaped by the Sea was published to acclaim by Penguin Books in 1996. This new edition brings the story up to date and looks at the changes in politics, economy, and global climate that will challenge Nova Scotians in the years ahead.
“Lesley Choyce’s writing captures the ebb and flow of Nova Scotia seafaring, from its Golden Age of Sail to the disasters and crimes at sea.” —The Halifax Chronicle Herald
“I gain a strong sense of interconnectedness and belonging when I look at her work. There is a universality and humanity Joy finds every time.” —Sheree Fitch
Since 1972, Joy Laking has lived and painted in Nova Scotia, capturing beauty in watercolours, oils, and acrylics in many locations. She sees beauty in both the usual and the unusual. The Painted Province lets the reader see Nova Scotia through an artist’s eyes.
Here, Joy has grouped some of her favourite paintings into forty regions, each with her personal commentary. In each of the regions, one of the images will have its GPS coordinates. You are encouraged to bring this book along in your travels to find some of the places where she created paintings. When you discover the exact spot, please take a photo. Then email it to her and she will post it on her website.
Joy constantly finds ways to enhance her own creativity. Every year, she paints in unfamiliar countries, such as Bolivia, Ghana, India, and Sri Lanka, to return home to see Nova Scotia through fresh eyes. Joy has also written a play, children’s books, articles about rural life, and work for the CBC.