In Saint John, New Brunswick in 1939, Elizabeth MacKinnon is swept up in the city’s vibrant community of artists. She finds herself joining their struggles to make sense of making art in a time of economic depression. In a story that couples bitter despair with exuberant triumphs, Elizabeth and her fellow artists make life-changing discoveries about politics and social responsibility, desire and betrayal.
Snap decisions, risky alliances and comical wrong-headedness bring the stories in award-winning author Ian Colford’s latest collection to life. Colford weaves wit and nuance into portrayals of characters facing questions of fortune, fate and self-preservation. Awkward and dangerous situations arise as Colford, dryly yet empathetically, illustrates what happens when people do what they think is best for all.
Sixteen-year-old Winnie is a creature of habit, a lover of ritual and stability. If she had her way, not much would change. But when a new family moves to town, Winnie and her three best friends—all boys—find themselves changing quickly and dramatically to impress Caleb, their strange and charismatic new companion. Under Caleb’s influence, Winnie and her friends test boundaries, flirt with danger, and in the end, illuminate darkness within each other and themselves.
Following a before and after structure that pivots around a mysterious and devastating fire at a local winery, Throw Down Your Shadows is a compelling exploration of the contours of young friendship and the development of powerful new appetites.
Reminiscent of The Girls by Emma Cline and Sweetbitter by Stephanie Danler, this literary coming-of-age story feeds a growing demand in adult fiction for candid portrayals of the young female experience as complex and provocative, and announces a bold new voice in Canadian fiction.
Seventeen-year-old Early Okander lives with his father in a shack, a white family on the outskirts of the Halifax community of Africville. It is the early 1960s, and Early and his young friends, Toby and Chub, start to hear whispers that the city wants to move the residents of Africville out of their homes. As the three try to sort out what relocation might mean for the community, they also struggle to come to terms with their own problems: Early’s abuse at the hands of his father, Toby’s illness, Chub’s family breakdown.
Written from Early’s unique perspetive, Big Town is an unforgettable account of a community in crisis and the remarkable spirit that persists in the face of adversity.
Linda Moore’s longawaited sequel to Foul Deeds is another highly engaging mix of art and environmental justice. Finally working a real job as a researcher for the Public Prosecution Service, Roz is on her first paid vacation. She has rented a cottage on Nova Scotia’s beautiful Minas Basin with plans to explore ideas for her next theatre production. Accompanied by her cat and a stack of Beckett plays, she has no sooner settled in than she spots what looks like a woman’s body tangled in the roots of a floating tree. Before the local RCMP can send a boat out, the body is retrieved by helicopter, and Roz watches it disappear over North Mountain. It’s time to call in her old sleuthing partner, McBride.
When McBride completely disappears, Roz and her longtime theatre friend Sophie roam the backroads and small towns of the Annapolis Valley in search of clues, narrowing in on the out-oftheway quarry no one seems to want them to visit, the tanker trunks that nearly run them off the road, and a young journalist who seems to have come too close to the truth.
The Fundy Vault is a lightning-paced literary mystery that will keep the heart pumping and the brain ticking long after the final page.
Carol Bruneau, author of six acclaimed works of fiction (most recently, These Good Hands), brings her finely honed voice to 12 new stories about shifting concepts of Nova Scotian identity.
In “The Race,” a war bride’s remarkable life trajectory unfolds as she competes in an international swim marathon in the Northwest Arm. Strain erupts between a Haligonian couple in “Burning Times,” while they struggle to keep track of one another, both physically and emotionally, on an Italian vacation. In “Polio Beach,” cousins gather oceanside over the will of a recently deceased aunt who once saved one of them from drowning.
Writing with empathy, humour, and linguistic precision, Bruneau follows characters who find themselves connected to Nova Scotia by birth, through attempts at escape and new beginnings, or as a temporary resting place, always carrying with them their own idiosyncratic and complex definitions of “home.”
Vintage Margaret Atwood meets Patricia Highsmith in this slyly seductive debut set on an eerily beautiful farm teeming with secrets.
The drought has discontented the bees. Soil dries into sand; honeycomb stiffens into wax. But Cynthia knows how to breathe life back into her farm: offer it as an artists’ colony with free room, board, and “life experience” in exchange for backbreaking labour. Silvia, a wide-eyed graduate and would-be poet, and Ibrahim, a painter distracted by constant inspiration, are drawn to Cynthia’s offer, and soon, to each other.
But something lies beneath the surface. The edenic farm is plagued by events that strike Silvia as ominous: taps run red, scalps itch with lice, frogs swarm the pond. One by one, the other residents leave. As summer tenses into autumn, Cynthia’s shadowed past is revealed and Silvia becomes increasingly paralyzed by doubt. Building to a shocking conclusion, The Honey Farm announces the arrival of a bold new voice and offers a thrilling portrait of creation and possession in the natural world.
It’s 1943. Enman and Una Greene are newly married. Each is haunted by their respective pasts, and each harbours secrets. They have hopes of a happy life together—though they have little idea how to create such a life.
Enman brings Una to his childhood home in rural Barrein, Nova Scotia, where he hopes they will stay. Una is restless and feeling increasingly trapped, and longs for the city life she once had. Una meets a mysterious man, and then a body washes up on a beach. There are rumours of German sailors roaming the dunes. When the Greenes receive the news they have been waiting for, and that Una is convinced will save her and her marriage, she begins to unravel in ways neither is prepared for.
From critically acclaimed and bestselling author Carol Bruneau comes an achingly honest portrait of a marriage in a time of war—and an examination of how it is that we come to know ourselves.
Surviving the Halifax Explosion is one thing, but how do Lucy Caines and her wayward husband, Harry, a couple who lose everything to the event’s horrors, make peace with their grief? Rebuilding on the rustic shores of Halifax’s Northwest Arm, steps from where the shaft of the Mont Blanc‘s anchor lands that fateful day in 1917. But coping with the disappearance on that day of their infant daughter, they descend into an isolating denial: Lucy through guilt and reticence, and Harry through drinking and gambling. Despite the birth of a treasured son, each faces a future clouded by fear and apprehension. Then, fifty-two years after the catastrophe, Harry suffers a stroke. Lucy confronts the miracle of their survival and their debilitating loss, re-examining the past and her role in its making, and struggling to become the author of her own happiness.